About “Mood”

About “Mood”

TerryAllenJones_Oil

Oil painting by Terry Allen Jones, used by permission

A painting that artist Terry Allen Jones posted on Facebook (above) sparked a discussion on “mood” that made me think. I had mentioned that I loved the juicy paint, and that I’d found the mood interesting. Terry thanked me and followed up by saying: “Mood is hardest, don’t you think?”

Hmm, I thought: yes, it can be. Then he said the following:

“It isn’t something I try to do, do you? If it’s there it doesn’t come out on purpose. Right? I’m thinking of Don [Gardi]’s pastels.”

That really got me thinking.

Abstract paintings by artists such as Don Gardi, Pirkko Mäkelä-Haapalinna, Casey Klahn, William Wray, Laura Pollak and Arlene G. Richman–among others–are delightful puzzles to me. I marvel at the artist’s ability to evoke emotions with shape/color/line/value that may or may not have any direct correlation to actual objects! I would love to have a long conversation with these folks about the _intention_ with which they approach a given painting.

I, personally, have become increasingly intentional about the mood and emotion I want to convey. Back when I started drawing and painting seriously, my paramount intention was to get the details “right.” Now, all aspects of the painting are consciously chosen and rendered to express my _response_ to a momentary view or vision, even if I cannot verbally articulate it (which often I cannot until the painting is done). So, for me, the mood is definitely “on purpose.”

Okay, that turned out to be a long answer to a short question. Many thanks to Terry Allen Jones for asking it! I enjoyed thinking about this.

20180429_NecromancersDaughter_PtLobos_PasMAp_112x180mm

“The Necromancer’s Daughter” – Point Lobos, CA – Pastel on MingART Premium, 4.4×7.1″/11.2×18 cm

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