During #Inktober 2017, I drew an imaginary motorcycle in pen and ink. When I draw from my imagination, the details develop as I go. Here’s a good example of how I work.
Since I can erase the pencil lines out from under the dry ink, the initial sketch goes directly on the final surface. I used to use 2B lead, but I’ve switched to the harder 2H lead since it leaves a fainter line from the start.
I don’t always outline everything, but I did in this case because the structural elements were critical. I used to use the larger (0.5 mm) pens first, years ago, but I’ve realized that I prefer to keep the lines small as long as possible. I can always thicken a line later.
After that, it’s all about the middle values and the textures. On this motorcycle, I align my strokes with the direction of the form. I may or may not do that with a landscape; it all depends on the effect or “look” I want. One of the things I love about this kind of drawing is that the details simply suggest themselves as I go. Sometimes, it’s the random overlapping of adjacent shades that appears to show some new form or structure. All of the final details are based on that discovery process.
In some cases, as I did here, I’ll go over certain outlines with the larger 0.5 mm pen. That pen is also good for solid black areas. For the heavier textures, I’ll overlap the 0.3 mm lines and/or go at it with the 0.4 mm pen.
So there, it is: “Old Unreliable” – Pen and Ink – 11×7.5″/28×19 cm. (Available for sale)